"Dwyer laid the weaving on top of an inked plate and ran it through an etching press once, creating the dark print. They then printed the lighter print with the residue of the ink on the plate. By presenting a diptych - the print and its ghost - Dwyer uncovers possibilities between tow states of form and content."

Matthew Coleman

MP200.GP200-

MP207.GP207

‚Äč

2018

mono print and ghost print on paper

30x23" each (diptych)